DIGITAL PRIMITIVE: THEVERYMANY – MARC FORNES (DIGITAL RESEARCH PRACTICE)

Monday, September 28, 2009

THEVERYMANY – MARC FORNES (DIGITAL RESEARCH PRACTICE)

Studio description
" the very many " - is a simple assembly of three words: "definite article" (ie Explicit) + "adjective-modifier" (ie Variables) + "plural" (ie Multiplicity). Combined as a motto, it addresses contemporary cultures as complex and intricate systems...
- " theverymany " - identifies a Collective of people as well as a Collection of experiments which engage the field of design via protocols of "precise indetermination".

Project 1: “ECHINOIDS”
Location: BRIDGE GALLERY NEW YORK
Date: 2009
Digital tools:RHINOSCRIPTING / MARC FORNES
Credits:
Design/ fabrication / Implementation
THEVERYMANY
MARC FORNES, SKYLAR TIBBITS, MAT STAUDT

Description
530 modules - Long. 13.5 ft - large 5 ft - height 7.5 ft
25 sheets ( 4*8' ) Walnut veneer ( 800 sq ft )
1600 yards elastic bras strap ( brown / black / navy blue ) - lacing time: 1/2h /
module - 40 modules / day
4500 screws

Brandt Graves, Carrie Mcknelly, Elliot White, Troy Zezula, Biayna Bogosian, Christine Rogiaman, Jared Laucks, Scott C. Savage, Al Attari, Brian Doyle, Claire Davenport, Claudia Corcilius, Courtney Song, Gary Mellon, Heidi Bullinga, Kamyar Rahimi, Majda Muhic, Marcelo Ertorteguy, Matthew DeLuca, Melissa Funkey, Otilia Pupezeanu, Sara Valente, Simon Kristav, Shadi Arani, Veronica Emig, Marilyn Garber @Bridge Gallery
Invitation: Peter Macapia
Fabrication support: - PRATT INSTITUTE - anyline (laser cutting) (http://www.anylineny.com/)
Support: - McNeel (US & Europe) - TDM Solutions (RhinoNest)

Project 2: "APERIODIC SYMMETRIES"
Location: CALGARY / CANADA
Date: JANUARY 9TH 2009 INSTALLATION PERMANENT
Digital tools: RHINOSCRIPTING / MARC FORNES
Credits:
Design/ fabrication / Implementation
THEVERYMANY / MARC FORNES WITH SKYLAR TIBBITS

Description
Production: 1640 parts, 757 unique stars connections + 883 panels (11 unique types) 5 days CNC cutting, 8 people, 72hours assembly time, 30 sheets 4*8’ of ½” thick Polyethylene

Sponsors: Sturgess Architecture, Zeidler Partnership Architects, RJC Consulting Engineers

Supported by: Faculty of Environmental Design University of Calgary Canada Faculty support: Jason S. Johnson, Josh Taron Shop support: Craig Le Blanc Students support: Frazer Van Roeckel, Dolores Bender-Graves, Matt Knapic, Bradena Abrams Reid, Carmen Hull, Peter MacRea, Adam Onulov, Tiffany Whitnack

Gallery assistants:
Jordan Allen, Ryan Palibroda

Project 3: “APERIODIC VERTEBRAE V2.0”
Location: FRANKFURT / GERMANY NODE08
Date: APRIL 5-12TH 2008
Digital tools: RHINOSCRIPTING / MARC FORNES
Credits:
Design/ fabrication / Implementation
THEVERYMANY /
MARC FORNES WITH SKYLARTIBBITS, JARED LAUCKS

Description:
Material:
Polyethylene panels (3/16” thick) + Acrylic connections (3/16”) + Zip Tie fastener
Assembly:
24 hours + 2 people + 2 laptops to (re-)assemble 360 panels & 320 nodes
Sponsors:
- Quadrant EPP USA, Inc. (www.quadrantepp.com) > material
- Continental Signs (www.continentalsigns.net) > CNC cutting
- Dick Dunlop > laser cutting

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Digital Primitive #2: Experimenta Design 2009

Digital Primitive #2:

The Digital Primitive Event # 2 is the second event of a sequence initially presented at the Giulio Capellini Young Talents selection for the Temporary Museum for New Design hold in the Milano furniture fair, april 2009

The Installation for Digital Primitive Event #2: Iterative Design engages the idea of time trough the iteration, repetition and transformation of specific geometrical configurations. The scope of the project Digital Primitive # 2 explores the idea of digital primitive, which is manifested in the contrast between the speed derived from the computational iteration, and the slow from the strength and resistance of materiality.

PROJECT 1: PORCUPINE (THROW FELT ALONG CURVE).
Locations:

From 09/09/09 to 20/10/09: Altis Belem Hotel & Spa - Doca do Bom Sucesso, Lisbon tel:+351.21040.0200

From 22/10/09 to 24/10/09: Compotec – Exhibition for Composite Materials – Massa Carrara Italy
About:

Designed by the New York based architects and designers Caterina Tiazzoldi and Eduardo Benamor Duarte (team Tania Branquinho and Mauro Fassino) in collaboration with (PASTOFO and POLITROFA), is an adaptable chair for hotel lobbies, restaurants and airports waiting areas.

Inspired from the fractal growth of a shell, Throw Felt Along Curve is realized in felt an fiber glass.

Its design has been generated with a parametric logic (deriving from a Grasshopper application) that allows to reconfigure in accord with the location and user's inputs.

The prototype of the configuration Porcupine has been expressly designed for the reception space of the Altis Hotel in Lisbon. The installation emphasizes the question of the relation existing between the proliferation of abstract geometrical configurations and their becoming object or space trough material implementation.

It engages the difference between an iteration based on an abstract geometrical model that can be downloaded and repeated in any part of the globe, and the resistance of the specificity of material materiality to such a temporal contraction.

Detailed Description:
By glimpsing to the typical Rhino tool Throw Curve along Curve, Porcupine transforms abstraction into design.

Porcupine is realized with 40 sheets of felt realized by Pastofo, supported by a fiber glass skeleton realized by POLITROFA.
The sheets's height varies from 68 to 30 cm while their spacing shifts according to the pressure of the body's weight or the proximity of a group of sheets.

The design for the porcupine seat is processed through the iteration and transformation of a same component.

In response the warmth and malleability of the felt produces a non-woven cloth that is produced by matting, condensing and pressing fibers. These fibers are produced by recycled residual waste processed in a sustainable manner into felt.

The selection of the material become the unique condition to actualize geometry: It is by throwing felt, and not wood or steel, that the porcupine becomes a piece of design.

What previously was an abstract procedure acquires the capacity to change the matter's performance.

Credits:

Design: Caterina Tiazzoldi and Eduardo Benamor Duarte

team: T.Branquinho, M. Fassino. K. Seaman

pictures: Sebastiano Pellion di Persano

Sponsors:

PASTOFO, Pasta para Estofos, S.A.

POLITROFA - Ind. Plasticos Reforcados, Lda.

Support of DIPRADI Politecnico di Torino

1. ONION PINCH

About:

Onion Pinch is an installation that covers an area of 6 per 7 meters, for a total of 42 square meters, designed by the New York based architects and designers Caterina Tiazzoldi and Eduardo Benamor Duarte (team Katy Seaman, Tania Branquinho, Lorenza Croce and Mauro Fassino) in collaboration with AMORIM CORK COMPOSITES, The spatial installation Onion Pinch features the work of : Associated Fabrication; AUM STUDIO / Ed Keller - Carla Leitao ; Mark Bearak; Benamor Duarte Architecture ; Graduate School of Architecture Planning and Preservation Columbia University ; Labdora / Peter Macapia ; Lucio Santos ; Nuova Ordentra/ Caterina Tiazzoldi, SOM Skidmore, Owings & Merill, Supermanoeuvre / Dave Pigram- Iain Maxwell ; Tietz-Baccon / Erik Tietz - Andrew Baccon; Theverymany / Marc Fornes ; Z-A studio / Guy Zucker.

The Installation Onion Pinch: Digital Primitive Extended for Experimenta Design09 is a design / production process exploring the idea of time as iteration and will take place in the Lisbon subway station of Cais do Sodre and in the international fair on Composite Materials Compotec.

The design for the Installation is processed through the iteration and transformation of a same component - a sheet of cork arranged as an "onion ring". Shape and profile transformations occur by literally pinching the cork with a bolt. The shape variation of the onion articulate the space in a exhibition path featuring the work of several New York based, architects, designer, academic researchers and manufacturers. By exploiting the cork flexibility the shape transformation and connection between parts describe the transformation and the contamination existing in the New York ground between research, education, practice, manufacturing and corporate world.

Digital Primitive Extended follows the track of the Digital Primitive practice in New York by single out from an apparent common ground, practices that are entangled and co-dependent operating between academia, large scale corporate design, design or digital manufacturing practices. The stress placed in individualizing one practice can only determine the location and levels of associativity and physical proximity between all parts in the configuration.

Credits:

Design: Caterina Tiazzoldi and Eduardo Benamor Duarte

team: T. Branquinho, L. Croce, M. Fassino, M. Pianosi, K. Seaman.

pictures: Sebastiano Pellion di Persano

With support of Politecnico di Torino

Sponsor:

AMORIM CORK COMPOSITES

With contribution from Eng. Antonio Espinhosa

Locations:

From 09/09/09 to 20/10/09:

Cais do Sodre Subway Station, Lisbon

From 22/10/09 to 24/10/09:

Compotec – Exhibition for Composite Materials – Massa Carrara Italy

Caterina Tiazzoldi

Caterina Tiazzoldi - M.Arch, PhD.Caterina tiazzoldi is the Principal of the architecture and design firm Caterina Tiazzoldi / Nuova Ordentra, Director of the Research Lab NSU at Columbia University in New York and Visiting Researcher at the Politecnico di Torino.She has partecipated to international events such as Torino World Design Capital, the Young Design Talent selection by Giulio Cappellini for the Temporary Museum for New Design, Advanced Architecture Biennal Settimo Tokio.Her work has been published in international magazines (Domus, AMC Interiaur, Interni, Metropolis, Elle Decor), books (Shops 2009) and scientific publications (ARCC Journal).Caterina Tiazzoldi won several awards (Nomination at the cooper Hewitt Museum's National Design Award, best paper EAAE/ARCC) and research grants (Sinapsi, Lagrange, Santa Fe Institute and Regione Piemonte fellowship).

www.tiazzoldi.org

Eduardo Benamor Duarte

Eduardo Benamor Duarte - Ms.AAd

Eduardo Benamor Duarte is an architect and founder of the studio Benamor Duarte Architecture, based in New York City and Lisbon.Eduardo Benamor Duarte holds a Master of Science in Advanged Architectural Design from Columbia University, and a Bachelor of Architecture and Urban Design from the Technical University of Lisbon and is a licensed architect in E.U.
In addition to his professional practice, he collaborates with several academic institutions, and is currently an Adjunct Professor at the California College of the Arts.
Benamor Duarte's design work was published in the magazines (Domus, A+D+M, Elle Decor, AD France, arq.A and Expresso).
http://www.eduardobenamorduarte.com/
http://www.seelayon.wordpress.com/

DIGITAL PRIMITIVE

Monday, September 28, 2009

THEVERYMANY – MARC FORNES (DIGITAL RESEARCH PRACTICE)

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Digital Primitive #2: Experimenta Design 2009

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